My return to Northern Europe marked the beginning of another end. My European leg was coming to a close and I had nominated Copenhagen as the place I would wait out my visa application for India. This was largely due to the fact that my cousin lives there (and the visa office’s murky responses about how long it would take to process my application). His inevitable offer of a place to crash was a welcome respite for my increasingly destitute bank account and I accepted happily.
As chance would have it, his housemate had just found an old bike, abandoned through no failure of function and ready to go. So I was the happy recipient of a large orange single-speed, free to take my place in the well-populated cycle lanes of the Danish capital. The old Dutch habits came back easily and, with my visa application lodged, I was soon speeding my way towards Christiania and all it promised.
It is perhaps a cliché these days – to be young and into street art. But clichés are clichés for a reason, and there is something in the writing on the wall that speaks to the restless soul in me. Throughout my travels, away from the over crowded attractions I’d visited through a thousand postcards, I was drawn to discrete alleys and chipped walls, drawn to the transience and art of the city: the myriad of quirky and queer murals that adorn walls the world over.
From the infamous haunts of Berlin and East London to Italian underpasses and Morocco’s sandy shores, street art was everywhere – you just had to find it. It was the search that appealed, the short-term nature of graffiti combining with the human desire to capture and categorise. So search I did.