There are some cities you step into where every cliché you have ever heard rings true. Venice is one of those cities, so detailed in the common consciousness that to visit is to only make real a dream you’ve already lived.
It is perhaps a cliché these days – to be young and into street art. But clichés are clichés for a reason, and there is something in the writing on the wall that speaks to the restless soul in me. Throughout my travels, away from the over crowded attractions I’d visited through a thousand postcards, I was drawn to discrete alleys and chipped walls, drawn to the transience and art of the city: the myriad of quirky and queer murals that adorn walls the world over.
From the infamous haunts of Berlin and East London to Italian underpasses and Morocco’s sandy shores, street art was everywhere – you just had to find it. It was the search that appealed, the short-term nature of graffiti combining with the human desire to capture and categorise. So search I did.
The bus slowly winds up the hill, breaking, as the driver prepares for yet another hairpin turn. The road from Chang Mai to Pai is known for its huge number of corners, and we are not disappointed. Our ride climbs higher and higher, and the verdant jungle of Chiang Mai gives way to sparser mountain vistas.
Pai is the very definition of laid-back, a small hippy town where life meanders by for the relaxed locals and backpackers that stroll the main drag. At night the street turns into a food and clothes market that offers a wealth of tasty snacks and tie-die, the samosas and banana pancakes winning particular favour amongst our number.
Our hostel hosts, the eccentric German, Peter, and his Thai wife, Darling, are hilarious and almost certainly on opium. Their response to our query for board is extraordinarily laconic and at odds with the tourist trail’s usual hard sell. We are eventually provided for: VIP accommodation no less, one room complete with four thin swabs spaced out on the floor. We are given a “special price” by a manically grinning Darling, who explains that it is because “you are tall, like my son, veery tall.”
If you’ve done any travelling in South East Asia then you almost certainly have heard of, if not actually experienced for yourself, the mayhem of Laos’ hedonistic capital, Vang Vieng.
Once a quiet riverside village, as the story goes, Vang Vieng is now big business: big, underdressed, intoxicated Western business. While easily the most touristy place I have been in Asia, the village still attracts thousands of visitors every year; backpackers coming for the joys of getting loose in a rubber tube along the banks of the Nam Song river. A ramshackle collection of bars line the edges of the brown river, and the same blaring electronic pop that plagued us over New Year’s reverberates in the shade of the vast karst mountains looming in the background.
The town itself is small and almost completely full of Westerners. There are a plethora of restaurants serving banana pancake trail staples, with the main difference whether Friends or Family Guy is playing above the raised platforms and low tables. Many restaurants offer the addition of a “Happy Menu,” covering everything from mushroom shakes and weed pizza to speed. Despite the ubiquity of such contraband, Brother Barefoot and Phantom are caught smoking a joint in their room, and told to find replacement accommodation; a strange paradox in a town of arbitrary lines.